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Beyoncé begins her “Renaissance” era with a high fashion moment.

The music icon released the first song from her upcoming album “Renaissance” on Monday night, titled “Break My Soul,” alongside an album cover that shows the singer in a ready-to-wear Alaïa fall look. 2022. Beyoncé wears a sheer corset-like jumpsuit with matching opera gloves.

Beyoncé revealed Thursday that she will be releasing her seventh solo album, titled “Renaissance,” on July 29. “Break My Soul” is the first single from the album. “Renaissance” is Beyoncé’s first album since her award-winning 2016 album “Lemonade,” which was also accompanied by a 65-minute film. Since “Lemonade,” Beyoncé released the visual album “Black Is King,” which was the soundtrack to the 2019 remake of “The Lion King.”

It’s only fitting that Beyoncé took the high fashion route to launch “Break My Soul.” For the singer’s “Black Is King” visual album, Beyoncé wore a range of standout couture looks from designer brands like Valentino, Burberry, Mugler and Erdem.

Her last public appearance and performance was at the 2022 Oscars, where she performed her song “Be Alive” in a custom neon yellow, sequin and feathered dress by David Koma. She later changed into a custom yellow off-the-shoulder Valentino dress for the ceremony. Beyoncé was nominated for Best Original Song for “Be Alive.”

It has not yet been revealed if Beyoncé will release any other songs before the album’s July 29 release date or an additional music video for “Break My Soul.”


A look back at Beyoncé’s best fashion moments

All The Striking Fashion Moments From Beyoncé’s ‘Black Is King’ Visual Album

A look back at Beyoncé’s best fashion moments

Blue Ivy Carter wears Beyoncé Merch to the NBA Finals

Wedding dresses are back in black! Sun, 19 Jun 2022 09:03:27 +0000

I was not surprised to read the trend of brides wearing black wedding dresses. After all, I’d worn a $200 off-the-shelf black floor number at my own ceremony in 1996. That was a year before “Sex and the City’s” Sarah Jessica Parker donned a dress. ruffled onyx ball gown at her New York celebration when she married Matthew Broderick.

Since weddings are back in full force after the coronavirus crisis forced the cancellation of indoor events, brides are making their own rules. And what rules is black.

“It’s our hottest trend,” said Laura McKeever, Pennsylvania-based public relations manager for David’s Bridal, America’s largest wedding dress chain, with 300 stores nationwide.

Hundreds of requests from brides prompted their merchandise team to turn their best-selling $999 white dresses — ball gowns, mermaids, sleek silhouettes — into black options as well, McKeever said. While they were only personalized, the style is so popular that they will hit stores soon so brides can try them on first.

“Fashion is a way to express your individuality and a wedding dress is no different. For women who have suffered losses during the pandemic and had to postpone their wedding, there is a feeling that they don’t want don’t wait. Now is the time. Life is too short,” McKeever said. “And they want their day to be the way they want it, wearing what’s most comfortable and beautiful. Aside from looking dramatic, chic and unexpected, black can be more flattering – and practical. If you’re spending a lot for a dress, you want to put it back.”

Small traders see the same thing.

“We’ve had about 15 calls for black dresses recently,” said Maria Valentina Talamo, who works at Pronovias, a luxury wedding draper on Manhattan’s Park Avenue, with dresses costing between $2,000 and $20,000.


The change started with popular black dresses in 2020, she recalled.

“So many brides have had to postpone everything during the pandemic. Now they want to break tradition, stand out, be unique and make a statement.”

When I said “yes” all those moons ago, I definitely did.

After many painful breakups, I felt blessed to find my love for life. Yet, as a broke 35-year-old freelance writer who paid the bills while teaching, I had no money to waste on a white garment that I would only use once, let alone storage costs. and dry cleaning. The darker shade was less likely to smudge and also thin. Plus, as a loudmouth with two jobs and three brothers, I prided myself on being a tough-talking city guy. I banished the word “obey” from our vows and rejected the white dress which pushed back against archaic notions of feminine innocence, chastity, modesty and modesty.

It was Queen Victoria’s white silk and lace gown for her 1840 nuptials to Prince Albert that put milky gowns on the map for American brides, Rebecca Mead wrote in her 2003 New Yorker article ” You’re Getting Married: The Wal-Martization of the Bridal Enterprise.”

“Custom from time immemorial has chosen white as an appropriate hue emblematic of the freshness and purity of youth,” asserted an 1849 article in Godey’s Lady’s Book, according to Marlise Schoeny, curator of Ohio. State University Historic Costume & Textiles. Collection. In “Why do brides wear white?” she explains that “a grand, traditional wedding with the bride wearing a princess-style white wedding dress has become a symbol of the American dream. From World War II through the late 20th century, the white dress symbolized prosperity, virginity and a lifetime commitment to a person.For most people today, these meanings have disappeared.


In effect. My hilarious screenwriter husband laughed at my dark dress, but not everyone applauded my sartorial statement.

“If you don’t wear white to your wedding, then I am,” said my kind Jewish mother from Michigan. And she did.

After my wedding, I happily took my black wedding dress to a tailor to have it shortened. Still in my closet, I’ve worn it often over the years.

Not too long ago while surfing the channel I came across the TLC reality show “Say Yes to the Dress” and was happy to see a bride from Brooklyn in a sparkly black ballgown which sold for the incredible sum of $5,170. I was annoyed when she pivoted to a pale vintage. I felt the same way when Sarah Jessica Parker said she regretted wearing black, telling Martha Stewart Weddings she should have chosen a white taffeta or satin dress instead.

Then again, after announcing that I was walking down the aisle in Morticia Addams mode, my mother was hurt. She was orphaned without a mother at her own wedding, and I was her only child — so her only shot at the mother of the bride, she told Us. What she wanted was to have a second wedding in Michigan her own way – with her rabbi, her cantor, her chuppah and her Midwestern crowd, where I would put on a pearl-colored dress she had chosen for a evening. (It was later given to her best friend’s daughter, for good karma.)

After an emergency session with my shrink, I found myself in Michigan dressed in white. I said “yes” twice in two different cities to the same man, realizing that no matter what material I had, only that I was lucky to be surrounded by love.

Kim Kardashian Didn’t Damage Marilyn Monroe’s Dress, Says Ripley’s Fri, 17 Jun 2022 20:19:00 +0000
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After days of online outrage over whether Kim Kardashian damaged Marilyn Monroe’s “Happy Birthday, Mr. President” dress while wearing it to the Met Gala earlier this year, Ripley’s Believe It or Not has stepped in to crush the claim. The company, which acquired the famous dress several years ago, said Thursday that a written report on the condition of the garment in early 2017 found damage similar to that seen after Kardashian wore it.

The report states that “a number of seams are pulled and worn. This is not surprising given the fragility of the material. There are creases in the back by the hooks and eyes”, in addition to other damage.

“From the bottom of the Met steps, where Kim entered the dress, to the top where she was returned, the dress was in the same condition it started in,” Ripley’s manager Amanda Joiner added. Vice President of Publishing and Licensing. A declaration.

A rep for Kardashian declined to comment.

The theory that Kardashian damaged the dress – which Monroe wore 60 years earlier when serenading President John F. Kennedy with a birthday song – dates back to ChadMichael Morrisette, a collector who photographed the dress earlier this week at Ripley’s in Los Angeles after spotting what he believed to be further damage to the garment. He shared the photographs with another collector, who posts on Instagram under the handle @marilynmonroecollection and circulated before and after images in support of Morrisette’s claim.

“Was it worth it?” the Instagram caption reads, directed to Ripley’s.

In these austere times, the Met Gala returns to the “Gilded” era

The company’s decision to lend the dress to Kardashian for the May 2 gala in support of the Metropolitan Museum of Art’s Costume Institute has drawn ire from textile restorers and fashion historians who found it risky and disrespectful to the iconic nature of the garment. Fashion designer Bob Mackie, who sketched the 1962 Jean Louis dress while working as the Hollywood costume designer’s assistant, told Entertainment Weekly after this year’s Met Gala that he thought it was a “big mistake” for Kardashian to wear the dress. the Red carpet.

Monroe “was a goddess,” Mackie said. “A mad goddess, but a goddess. She was just fabulous. Nobody shoots like that. And it was made for her. It was designed for her. No one else should be seen in this dress.

According to Vogue, Monroe’s bespoke dress has sold at auction twice: once in 1999 for over $1 million as part of her estate sale with Christie’s, and again in 2016 when she sold for $4.8 million at a Julien’s Auctions event and was acquired by Ripley’s. . The magazine said the dress is stored in a “controlled dark vault at an optimal 68 degrees and 40-50% humidity”. Kardashian said she “had to wear gloves” to try it on.

The dress was too small in places, according to Kardashian, who said she went on a strict diet afterwards so the garment would fit in time for the Met Gala. Vogue reported that she only wore the dress for her red carpet appearance, putting it in a makeshift dressing room near the base of the stairs and changing into a replica after walking up the steps. A Ripley environmentalist wearing gloves helped Kardashian in the process.

Kardashian told Vogue that she was “tremendously respectful of the dress and what it means to American history.”

]]> Entrepreneurs Graduate from TWU’s Inaugural TX Women Owned Incubator Program » Dallas Innovates Wed, 15 Jun 2022 22:01:12 +0000

The first class of female entrepreneurs graduated from the TX Women Owned Incubator program.

Selected late last year, six early-stage startup founders participated in the month-long program, hosted by Texas Woman’s University’s Jane Nelson Institute for Women’s Leadership and local coworking space The Slate. The incubator is designed specifically to help women-owned businesses get started.

Participants received training on topics such as business planning, customer acquisition, finance and marketing strategy. Incubator facilitator and advisor Holly Burrow, co-director and local leader of the Founders Institute, said she wants graduates to leave with the ability to effectively communicate what they’re building. Participants also secured a dedicated workspace at The Slate in Dallas.

Participants in TWU’s TX Woman Owned Incubator program. [Photo: TWU}

“Women, myself included, often struggle to put what they are building at the center of a conversation, but to grow a business, we must be able to speak to why and how we are building it and ask for the support of every listener,” Burrow said in a statement. “I wanted each of the cohort members to emerge from the program with a strong message to share with the world about what they are building and why they are the best choice to build it.”

Kicking off a new class

The university said that due to the success of the inaugural cohort, it’s planning to welcome a new batch. Available to North Texas businesses that are majority owned and controlled by a woman, applications for the upcoming incubator program will open this fall. The next program kicks off in January 2023.

The TX Women Owned Incubator Program is just one of a number of initiatives Texas Woman’s University offers to boost female entrepreneurship in the region. In 2020, TWU’s Center for Women Entrepreneurship teamed up with Denton coworking space Stoke to launch the AccelerateHer incubator program. TWU followed that up last March by partnering with TechFW on its SmartStart incubator program. The university also has grant programs for female entrepreneurs and female veterans.

“It’s very easy to feel isolated as a founder, but the environment created by the small cohort led to deeper relationships between the women and many instances of support away from our sessions together,” Burrow said.

Meet the grads

Participants in TWU’s TX Women Owned Incubator Program. [Photo: TWU]

Check out the inaugural class of the TX Women Owned Incubator program below.

  • We’re Simply Organized (Wylie) – an online community created by Angie Aranda that provides tips and techniques for “creating clutter-free spaces”.
  • Surgical Sherpa (The Colony)—Created by Maria del Carmen Uceda, Surgical Sherpa is a concierge service that helps patients find the most affordable surgical options and advocate for them along the way.
  • Lovellfaye (Coppell) – a custom dress design company by Lovell Cox.
  • Diaper Concierge (Dallas) – a diaper vending machine concept pioneered by Erin England aimed at high traffic areas.
  • Dinner Reinvented (Dallas) – a recipe site and food blog by local chef Roni Proter Kelly.
  • Legacy Incubator (Dallas) – a stealth company founded by attorney Ifeyinwa “Ify” Seales.

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  • CreateHers. BuildHers. DisruptHers. Risk-TakHers. InventHers. InvestHers. Texas women pioneering new paths are the subject of a new podcast that features innovators disrupting their industries, creating movements and creating positive social change.

  • DFW*ATW 2021 Chairman Shanthi Rajaram

    The DFW Alliance of Technology and Women held its 19th annual Executive Forum last week, urging attendees to “crack the code of courage” and empower women in business. Afterwards, DFW*ATW President Shanthi Rajaram spoke with Dallas Innovates about what she took away from the event and how being “comfortable with the unknown” helped her start her own entrepreneurial adventure.

  • Women entrepreneurs, especially those in the tech world, have plenty to warm up at home on Thursday during tomorrow’s winter storm: the DEC Network’s inaugural, all-virtual Women X Tech event, from 11 a.m. to 4:30 p.m. , is designed to help female founders across tech industries connect, learn, and grow their businesses.

  • Pam Seagle, Head of Global Women's Programs at Bank of America

    Women entrepreneurs in North Texas and the United States have long struggled to find financing for their businesses. Today, Bank of America is stepping in to help “close the capital gap” with its new Access to Capital platform. The online resource educates women entrepreneurs on ways to finance their business and covers over 350 sources of capital.

  • The Women of Innovation Summit will take place August 4 at Southern Methodist University’s McFarlin Auditorium during Dallas Startup Week, powered by Capital One. Women are encouraged to bring their entire work team and even their friends to make the most of a day of growth and development.

Anifa Mvuemba from Hanifa on African Diaspora, Black Innovation Mon, 13 Jun 2022 12:00:24 +0000

Getty + Design Lea Romero

Blacks are often referred to as resilient. We continue to survive the unthinkable while leaving the world more beautiful and fairer than we found it. More than resilience, it is our innovation and our ability to see what is not yet present – ​​justice, joy, empowerment – ​​and bring it to life. Anifa Mvuemba knows it. As one of the fashion industry‘s most innovative designers and founder of the Hanifa brand, her creative eye and business prowess have seen her dress top fashionistas including Zendaya, Trace Ellis Ross, Bella Hadid, etc. caught up with Mvuemba to reveal his Congolese roots, his upbringing in the United States and how his imagination took the Hanifa brand to new heights.

How did your time at Morgan State influence your perception of the darkness and the vastness of the diaspora?

If I had gone to another school, I would not have experienced darkness as I did. The HBCU experience is unmatched! At Morgan State, I was so young and still trying to figure out who I was and where I wanted to be. My time at Morgan was a springboard, not just for me. Many people don’t even know Congo and in many of my groups of friends I am the only Congolese person they know.

Do you see yourself as a bridge between the African diaspora and the African continent?

With [Hanifa’s fashion collection] Label Rose Congo, I was happy to enlighten and raise awareness, so I really want to do with the Congo! At the same time, I am still understanding and learning my roots.

Speaking of diaspora, travel is also clearly one of your loves. I particularly like all your getaways to Dubai! How has exploring the world influenced your way of designing?

My parents have always traveled a lot, but in 2005 my brother was murdered in Maryland, and it was a very difficult time for my family. We were invited to Dubai by a family friend to get away and freshen up. I was a freshman in high school, so I wasn’t exactly thrilled with the trip because my world was already changing so much. But when I look back on my time there, it’s clear to me that my outlook on life has changed. You meet so many people from all walks of life, religions and racial backgrounds. The inspiration I had was crazy.

I’m so sorry to hear of the loss of your brother, but I’m so glad you had this time to take care of yourselves as a family. Would you say that resting and taking time for inspiration are still important to you today?

I’m getting better… I found it was definitely about finding that balance, which can be difficult when your team really depends on you. There are seasons when I leave for two weeks and other seasons when I work non-stop. Now I have a business coach and I make time for mental work days where I’m not on the phone or talking to anyone. It gives me time to process my thoughts and present myself as a better and creative leader for my team.

You certainly stay busy, so it’s good to know that you’re so intentional when it comes to self-care. I want to jump into some of your most breathtaking moments, which were at the intersection of technology and fashion, two industries that may seem so far apart. Where does this passion come from in you and how do you want to continue to leverage each other?

It’s really cool, because if I wasn’t into fashion, I’d probably be building computers somewhere. Ever since Myspace and the early days of blogging, I’ve been obsessed with coding and how technology works. It was a divine moment when [Pink Label Congo] happened in 2020. [Editor’s note: In May 2020, Mvuemba debuted her collection Pink Label Congo with 3D renderings on Instagram Live.] I was already going back and forth on whether to do a virtual or in-person show and when the world stopped [because of COVID-19], it became obvious. Merging the two passions is a dream come true. Now we see these two worlds collide more than ever through digital avatars, the metaverse, and more. I still hope to innovate in this space.

los angeles, california nov 15th 'future of fashion award' winner anifa mvuemba attends the 6th annual instyle awards on november 15, 2021 in los angeles, california photo by frazer harrisongetty images

Anifa Mvuemba

Frazer HarrisonGetty Images

It wouldn’t surprise me. You intentionally changed the fashion world to make it a more inclusive place in many senses, including more geographies, by giving access to your shows to non-celebrities or industry leaders, and by being intentional about the size and casting of models. Have you always been like that, or was there a point in your career when you felt “successful enough” to disrupt the status quo and change the rules?

It was really hard for me to get into the industry because I didn’t have the traditional fashion experience or those resources. I read so many articles and YouTube videos on Google to figure out how to break into this industry, but I had to figure out how I was going to do it and do it my way. Rejection made me have this mindset to transform the industry, but I also have social media to thank. Early in 2011, I was on Instagram and posted my first dress when the platform was really new. Social media has opened up new avenues for designers. Now that I’m more sure of my place in the industry, I’m also working hard to create more opportunities for those who come behind me. There are so many programs that support new designers and future designers, and I’m developing them now.

Of all those who have worn Hanifa, who are you the most geeky?

Michelle Obama wore a custom-made piece and I screamed! LA Michelle Obama! It was super surreal. Plus, Beyoncé wore an Alia dress on vacation.

You must be proud of yourself! In many ways, you and your brand are so in sync, from naming the brand to posting your first design on your birthday many years ago. As you continue to climb the industry, how do you distinguish Anifa the wife from Hanifa the company?

That’s a great question! I always talk about Hanifa growing up with me, and we both become what I always wanted us to be. I’ve always been connected to my brand, but recently I’ve been trying to figure out what it would be like to separate the two. A lot of people have discovered Anifa from the creative side, but I also want people to know about the business side as well. This mentoring program that we are developing will be an extension of that.

What up-and-coming black-owned brands are you passionate about or reclaiming black joy and art in innovative ways?

Fisayo Longe is the founder and CEO of KAI Collective, a UK-based brand. Our paths align and she’s doing a lot of creative and cool things, so I’m really excited to see what she’s going to do with her brand. This year I attended the Fifteen Percent Pledge Gala, and it was so inspiring to see a room full of black creatives, black designers, and black business owners. I really can’t wait to see more.

This interview has been lightly edited for clarity.

This story was created as part of Future Rising in partnership with Lexus. Future Rising is a series airing in Hearst Magazines to celebrate the profound impact of black culture on American life and shine a light on some of the most dynamic voices of our time. Go to for the full portfolio.

Interview with the costume designer of “Fire Island” Fri, 10 Jun 2022 20:33:14 +0000

Photo: Jeong Park/Spotlight

Home to underwear parties and the Meat Rack, the gay paradise known as Fire Island is largely clothes-optional. So it also goes for fire island, the new romantic comedy (streaming on Hulu now) written by and starring Joel Kim Booster. Fire Island follows a group of queer besties on their annual beach, boys, and tea party trip. It’s a modern interpretation of Jane Austen Pride and Prejudice but with poppers and OnlyFans references, directed by Andrew Ahn and starring Bowen Yang and Margaret Cho.

Moments after their ferry sets sail for the Pines, groups of gays take off their shirts in preparation for the promised land. When dressing for a film about a place where many don’t wear much in the summer, costume designer David Tabbert treated each character’s wardrobe as an emphasis “on scene and emotion”, a- he told Vulture.

Tabbert himself has been going to Fire Island since he was 20 years old. With the script for the film in hand, he thought about how he prepares for his own escapades: bathing suits that turn into shorts, diapers that can be put on easily. It was particularly important to define his approach to the film’s class portrayals and delineate our protagonist’s group of friends (budget queens who met while working at a Williamsburg brunch) and rich guys (a doctor, a lawyer and a brand manager, the three wealthy gay jobs) they meet on their way out, who are staying in a luxurious Ocean Walk home.

Tabbert also wanted to tout queer creators. The Fire Island the crew was often dressed as R. Swiader, Double Scorpio, Telfar, Patrick Church, etc.

Illustration: Cassandra Hsieh

Confident and sure of himself, Noah never backs down from an opportunity to defend his friends or deliver a blistering retort. He’s built tough skin over time and can be comfortable showing off his body, but he’s still cautious when it comes to matters of the heart. Muscular shirts, cut-off shorts, and solid-colored briefs and speedos make up most of his getaway attire; vintage Adidas and Y, IWO (Yeah, I Work Out) tank tops show plenty of skin, and all of her swimsuits are by R. Swiader. And of course, her underwear look is a pair of pristine white Calvin Klein panties.

Fire Island star and writer Joel Kim Booster (far right) in an R. Swiader swimmer.
Photo: Hulu

“We really wanted to consider the fact that Noah and his group of friends live in a way so familiar to so many young people in cities like New York and San Francisco,” Tabbert said. “They live paycheck to paycheck and are by no means wealthy. Their rent is high, they live in small apartments, but they each have their own style. Also, and this is important, “ Joel is hot. We wanted to make sure he looked sexy.

Tabbert knew he’d hit the nail on the head when he saw “essentially the spitting image” of Noah also wearing a Y, IWO tank top, athletic shorts and crew socks entering the R. Swiader store shortly after completing the film. Now we finally know what Elizabeth Bennet would wear to the beach.

Photo: Jeong Park/Spotlight

Noah’s friendship with Howie was forged through drunken brunches in their twenties and mutual solidarity as Asian men in the gay community. A hopeless romantic in the body of a freelance graphic designer living in San Francisco, Howie yearns for love with big gestures and kisses in the rain. The opposite of Noah’s confidence, Howie’s insecurity is accentuated by an abundance of practical overshirts. Bonobos and Saturdays NYC’s short-sleeved button-up shirts almost work as a “security blanket” for him, often paired with Parke and Ronen shorts. Tabbert also used different necklines to show Howie’s changing levels of comfort: crew-neck shirts when he’s feeling on guard and tank tops when he’s more confident.

When the group prepares for the underwear party, Howie covers himself in red and white underwear with a cutout in the back. At the party, however, he shows up in much less revealing shorts. “We wanted to show that there was some hesitation there,” Tabbert explained. “It was very, very intentional. At the end of the day, we wanted to show that he was playing more carefully.

Photo: Jeong Park/Spotlight

Mama bear, resident lesbian, and group mentor Erin hosts her litter of gay boys in a stylish house on the Tuna Walk that she bought with the settlement money from being served drinks at a franchised restaurant. (Secure the bag however you can!) Much of her wardrobe came from vintage shops, and the costume team self-dyed her dresses and halter tops. The one constant in Erin’s wardrobe is a pair of amazing vintage Levi cuts that “go with everything,” Tabbert said, while her earrings and shoes change in almost every scene. Her clothes are a material reflection of her many colorful years on the island, Tabbert explained. “We really wanted them to have a historical story.”

Matt Rogers in Luke’s signature ascot (left), Zane Phillips in Dex (centre) and Tomás Matos in Keegan (right).
Photo: Photos of the projectors

Luke’s style is to “do the most, say the least”. He and Keegan (Tomás Matos) are the spiky, jazzy hands of the band, two besties who met in drama school. So it makes sense that he goes the extra mile, especially when it comes to his clothes: crochet shorts by Lord Von Schmitt, a jersey by Patrick Church, and a custom rhinestone whistle hanging from a Lockwood 51 lanyard. Pretty Snake bath from an after-party scene even has flippers on the side. Luke’s looks are pinned down by a custom Kapital bandana which he wears around his neck as an ascot in nearly every scene.

Costume designer David Tabbert (left) and Tomás Matos (right) on the set of Fire Island.
Photo: David Tabbert

Keegan and Luke are the campy, weird version of the Wonder Twins. Their combined energy is best exemplified during a series of “Heads Up!” when they perfectly reenact Marisa Tomei’s biological clock monologue from My cousin Vinny. Never without their Edgar Posa beads and “sissy” nameplate necklace, Keegan manifests his sense of freedom unabashedly in his appearance. Keegan also does stunts when it comes to headgear, sporting pieces such as a Telfar durag and a Jimaye crown. The character also has the honor of wearing one of Tabbert’s favorite costumes: Keegan’s set for Underwear Night. “Tomás is from Staten Island, and as a little shoutout, we turned a Staten Island bike race shirt into a crop top and put them in a harness jersey with a little bag the size of an Airpod case “, said Tabbert.

Also very important: their high-heeled platform boots are Jessica Simpson.

Torian Miller (far right) in a Hawaiian print polo shirt and one of Max’s signature bucket hats.
Photo: Photos of the projectors

The voice of reason the boys of Tuna Walk so badly need, Max has his head on his shoulders and is averse to disorder. Her softer, more down-to-earth sensibilities are reflected in her practical choices: plenty of bucket hats and printed buttonholes. “We wanted dad vibes for him,” Tabbert said. It meant “polos, aloha shirts and New Balance 993”.

Left to right: James Scully as Charlie, Nick Adams as Cooper and Conrad Ricamora as Will.
Photo: Jeong Park/Spotlight

If you close your eyes and think of someone whose family vacation (yes, “vacation” as a verb) on Martha’s Vineyard, Charlie is right on the money. New England money. A gentle but oblivious doctor and Will’s best friend, he is more open to the Fire Island experience and immediately creates a connection with Howie. He’s kind of like a rich brown golden retriever.

Charlie dresses in brands such as Polo Ralph Lauren, Giorgio Armani, Vineyard Vines, Sperry Topsiders and Rowing Blazers. “With the boys from Ocean Walk, we wanted to show constant changes of clothes where you never really saw the same outfit worn more than once,” Tabbert explained.

Visiting the island from the west coast, a tense Will doesn’t offer the warmest welcome when he first meets the guys at Tuna Walk. Turns out his sting comes from feeling he has to stay on his toes and protect his friends. He finally starts to soften a bit when he finds Noah reading Alice Munro, because who else TF reads a book while he’s in the Pines? Outfitted in more expensive brands such as Ron Dorff, Giorgio Armani and Burberry, Will clearly has the money but maybe not a whole lot of style. He’s the type of guy who spends a lot on his clothes because he thinks he’s supposed to.

“It was important that he wasn’t too flashy or intentionally stylish, but rather the kind of guy who’s so rich he’ll spend $400 on a Brunello Cucinelli t-shirt, but it’s just a gray t-shirt. united,” Tabbert said. “I don’t know if we actually put Brunello in the film, because it would be a blow to the budget. On camera, it doesn’t have the same appreciation.

Rounding out Ocean Walk’s group of guys, Cooper is more aggressively elite and obnoxious in both the way he interacts with other characters and the way he dresses. He is a “brand manager”, whatever that means. “Cooper was Caroline Bingley, ostentatious and over the top,” Tabbert said. He wears a Christian Dior chain necklace throughout the film. At tea, he’s Gucci from head to toe. The day after tea, Versace from head to toe. Last scene? Balenciaga from head to toe. Uh.

Zane Phillips as Dex in a cut tee at The Pantry.
Photo: Jeong Park/Spotlight

Trouble takes the form of a tall, muscular, mustachioed water glass known as Dex, whom Tabbert has dressed up to “show off all the tricks,” he explained. When Noah first meets Dex in the pantry, he’s wearing shorts with a handkerchief in the back pocket as a nod to the handkerchief codes, which may not be very important now, but play a role. in queer history as community identifiers.

“He was the only person in the movie who never changed clothes,” Tabbert said. “It’s a bit grungy, trashy. We don’t know how often he showers, and we don’t care.

Phoenix designer’s custom dress to make red carpet debut at Tony Awards Tue, 07 Jun 2022 23:31:00 +0000 June 7, 2022

At this year’s Tony Awards on June 12, Colleen Jennings-Roggensack, Vice President of the Broadway League of the Road and Arizona’s only Tony voter, will dazzle the red carpet ceremony in an original dress by the designer of Phoenix Melissa Torres.

“Fashion designers are artists,” said Jennings-Roggensack, vice president of cultural affairs at Arizona State University and executive director of ASU Gammage. “Creative and passionate events like the Tonys give local designers a chance to be seen, connecting the local fashion community to the world of Broadway. It was an honor not only to work with a local designer, but also someone one with such immense talent and passion for his craft.

Colleen Jennings-Roggensack at the dress presentation on the ASU Gammage stage on May 31.
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The dress specially designed for Jennings-Roggensack is Torres’ first creation to walk the red carpet.

“This is my first official red carpet debut,” Torres said. “A big part of my goal as a designer is to create outfits for the red carpet, so it’s a dream come true.

Also known as Mia, Torres was born and raised in Phoenix and has always had a love for fashion. In 2019, Torres began to pursue her dreams when she graduated from Phoenix College with two associate degrees in arts and fashion design.

Shortly after graduating, Torres launched her fashion line by hosting an event in downtown Phoenix. This is where she hooked up with ASU Gammage and then Jennings-Roggensack.

“Colleen was already on my radar; I knew she used designers from Arizona for her Tony dresses. I was beyond thrilled to have this opportunity and design something just for her,” Torres said.

The process for Jennings-Roggensack’s dress began in December 2019, with the intention that the garment be worn at the 2020 Tony Awards.

“I originally wanted to associate the dress with Broadway shows that were to open in 2020. I did my research and took inspiration from the musical ‘Diana,'” Torres said.

Torres began working on a dress inspired by Catherine Walker’s white beaded dress made for Princess Diana in 1989.

“When I started working, I realized the dress was too heavy and very bridal. Then the pandemic started, and I just knew I wasn’t supposed to work on this design,” Torres said. “COVID-19 has been a blessing in disguise because it’s given me two years to redesign something comfortable and suitable for Colleen. I’m so happy to have had a second chance.

Keeping “Diana” as her inspiration, Torres went back to the drawing board, adding her own twist to the new design.

“I changed it to purple and made it my own by shortening the length to give it the Melissa Torres feel,” she said.

With the dress in the works for over two years, Torres and Jennings-Roggensack have built a strong relationship, working together through every step of the design process.

“My favorite thing about working with Colleen is her enthusiasm,” Torres said. “This dress is different from what she wore before, and I love that she likes my ideas and is willing to try something new. It’s amazing to work with a client like that.

Torres has made it her mission to “design statement pieces for influencers,” with this dress setting a precedent for her future designs and red carpet looks.

“I’m all about thinking it, believing it, receiving it,” she said. “When I think of my future, I think of working with clients who are going to walk the red carpet at the Emmys, at the Oscars, at the Grammys. My goal is to be a EGOTEmmys, Grammys, Oscars and Tony Awards. designer, and it all starts with opportunities like this. If I can give anyone one piece of advice, it would be to never give up, believe completely in yourself and take every opportunity that comes your way.

Kate Middleton wears a hot pink Stella McCartney dress at the Platinum Jubilee Pageant Sun, 05 Jun 2022 19:48:27 +0000

The Duchess of Cambridge watched the Platinum Jubilee Pageant alongside the Duke of Cambridge and their three children from the Royal Box on Sunday.

Kate Middleton arrived wearing a custom fuchsia pink dress by Stella McCartney.

The forest-appropriate raspberry-red viscose custom dress featured padded shoulders, one-shoulder shirring, and long puff sleeves.

The Duchess completed the look with simple gold and diamond earrings, natural makeup and her hair in loose curls.

Kate sat next to her three children, Prince Louis, four, Princess Charlotte, seven, and Prince George, eight, for the pageant.

Kate is joined by Prince Louis


While George matched Prince William – both were dressed in suits – Louis looked dapper in a black button-up coat with a peter pan collar.

Sitting between her brothers, Charlotte wore an elegant cream coat.

The Platinum Jubilee Competition marks the conclusion of this weekend’s festivities in honor of the Queen’s 70-year reign.

The Duchess opted for minimal makeup


The show began with the Queen’s Gold State Coach being pulled along the Mall by horses and the King’s Troop.

A hologram of the Queen waving to onlookers at her coronation in 1953 was projected on the side of the coach.

More than 10,000 people took part in the show, which consisted of four acts aimed at telling the story of the Queen’s historic reign.

Attendees included the military, over 6,000 volunteers, theater artists, key workers and 2,500 members of the general public.

The pageant marked the Cambridge children’s fourth public appearance during the Platinum Jubilee weekend.

On Saturday evening, George and Charlotte accompanied their parents to the Party at the Palace.

The children were seen smiling and laughing as they watched a sketch of the Queen, their great-grandmother, having tea with Paddington Bear.

They were also seen clapping and singing along with the various musical performances, including Rod Stewart’s rendition of Sweet Caroline.

The young royals also took part in a baking session with their mother, to bake cupcakes for those attending a Jubilee street party in Cardiff today.

Kate shared photos of the family cooking together on Twitter.

One image showed the siblings huddled around a stand mixer. In another, they smiled and giggled as they helped their mom frost the cupcakes.

9 Living Room Design Ideas Designers Swear By | Architectural Summary Wed, 01 Jun 2022 17:49:15 +0000

Want to refresh your living room design, but the thought of hiring an interior designer or contractor to remodel the space seems daunting (and expensive)? Before you resign yourself to spending another evening in a drab living room, consider this: it’s possible to transform the main room of your home with a modest budget and minimal heavy lifting. Noz Nozawa, lead designer and owner of Noz Design, knows that a little design savvy can go a long way. “You absolutely can make significant improvements to your living space without completely overhauling what you have today,” says the San Francisco-based designer. Nozawa has rearranged, repainted, and replaced items in her living room more times than she can remember.

Susannah Watts, owner and chief designer of Swatts & Co Design Studio in Grand Rapids, Michigan, echoes the sentiment that an outdated space can be refreshed with new living room design ideas. “You don’t have to knock down walls to impress your visitors,” she says. “A little paint, a little pattern, and lots of bold, funky additions can totally revamp a space.”

Ready to renew and improve a living room space? Below, interior designers reveal their must-have tricks that update living room design without much effort.

Highlight the coolest feature

Designer Susannah Watts gives a basic brick fireplace an extra sparkle with metallic paint.

Photo: Dionel Fisher @themittentog5

Identify the main feature of a living room and draw attention to it, recommends Watts. It can be a fireplace, a unique ceiling molding, a cool light fixture, or even some not-so-boring window sills. Work with what you already have. “The options [for updates] are endless,” she says. To spruce up an ordinary brick fireplace, the Watts design team painted the brick metallic silver and added tile around the hearth.

Rearrange the furniture

Playing musical chairs, literally, is a quick tip for a room refresh designed by Noz Nozawa.

Photo: Colin Price Photography

SWCA 2022: 7 things we learned from the Star Wars: Hunters panel Sun, 29 May 2022 20:01:17 +0000

Fans were finally able to enter the colorful and action-packed world of Star Wars: Hunters – the next multiplayer arena fighting game – to star wars Anaheim 2022 Celebration. The Hunters booth, large-scale and decorated with the game’s original characters, featured stations for fans to play ahead of release, and a panel with Lucasfilm Games and developer Zynga provided some background on the title’s making. Panelists Jeff Hickman (Senior VP, Zynga), Caitlin Conner (Senior Game Designer, Storytelling and Content, Zynga), Anna Kay (Senior Concept Artist, Zynga), Ross Burt (Senior Concept Artist, Zynga), Kelsey Sharpe (jr. creative director, Lucasfilm) and Craig Derrick (executive producer, Lucasfilm) got together to talk about everything Hunters with host Amy Ratcliffe, and here are seven things we learned about this unique star wars Game.

Hoth in Star Wars: Hunters

1. Hunters takes place after the Battle of Jakku, during a time of turmoil and opportunity across the galaxy. For lovers of continuity, this is an important detail. “In the real world, it puts us after Return of the Jedi and at the time of The Mandaloriansaid Kelsey Sharpe of Lucasfilm. “It’s a time of a lot of hope and a lot of promise.” The timeline also helps inform some of the characters and their backgrounds, including a former Imperial and Rebel Alliance loyalist turned New Republic.

Gameplay of Star Wars: Hunters

2. Zynga assembled the initial prototype of the game in two weeks. The development of Hunters dates back five years, about half of which was built with everyone in the office together and the other half remotely. Initially, a small team at Zynga sat down with Lucasfilm Games and thought about what kind of game it would be and what kinds of characters could be included. The team assembled the initial prototype in just two weeks. “And that was amazing already,” said Jeff Hickman, senior vice president at Zynga.


3. Two Jawas in trench coats sum up the spirit behind Hunters. Utooni was panel moderator Amy Ratcliffe’s favorite and certainly caught many fans’ attention when the initial trailer debuted last year – but he’s also the kind of character that encapsulates what Hunters is really about. No one initially thought they could include a character that was literally two Jawas stacked on top of each other in the game, but Utooni found his niche. “That fun and irreverence is at the heart of our brand,” Sharpe said before going on to draw parallels with the wise and esteemed Master Yoda who is also a “dumb little goblin,” noting that duality is part of what makes it so iconic.

However, there is more to this pair than just its fun and visual silhouette. From the original concept sketch, writers and artists had to think about why and how the two work together. “They’re such fun characters to write,” said senior game designer Caitlin Conner. “They have this dynamic where they bicker.”

Top view of the arena in Star Wars Hunters A ship landing in Star Wars Hunters

4. For the art style of the game, the developers went back to the ultimate source of inspiration. Like so many others star wars projects, the work of original trilogy concept artist Ralph McQuarrie was one of the starting points for the Hunters concept art team. “I don’t know how it’s a job,” said lead concept artist Ross Burt. “I study the paintings of Ralph McQuarrie!” Still, the team wanted to create their own unique style that would stand out, resulting in the colorful and heightened characters seen in-game.

Additionally, artists had to consider how Hunters would be seen on the big and small screen thanks to the different platforms. “We had to think about color schemes, how we style things,” said senior concept artist Anna Kay. The characters had to be instantly recognizable in the arena; we would say they succeeded.

J-3DI in Star Wars Hunters

5. J-3DI’s design is inspired by other droids and… statues? As for J-3DI, the droid that visually captures the spirit of the Jedi, concept artists returned to reference existing droids and droid parts. Burt cited the droid Huyang (from Star Wars: The Clone Wars) and archives the droids of Star Wars: Attack of the Clones as specific inspiration points for J-3DI, as well as real-world elements like a VCR. Thanks to a conversation with Lucasfilm Games, the Statue of Liberty also ended up being a point of inspiration for showing how to show metal fabric. Eagle-eyed fans might recognize a small design detail that’s a nod to a Padawan braid on J-3DI, which is one of many things that help set the character’s silhouette apart.

Star Wars: Hunters Character Group Photo

6. The characters have established rivalries and friendships. All of the arena characters have deep backstories and as part of that have established a dynamic with other characters. This includes both friendships and rivalries, the latter applying to Slingshot and Utooni. Utooni, the Jawa duo, are constantly trying to retrieve Slingshot’s droideka, which is driven by the Ugnaught, Dizzy, for parts; Dizzy, however, considers the droideka part of his family.

Characters from Star Wars: Hunters

7. Dress for the arena fighter job you want. All characters have different variations for their starting outfits, which players can customize to their liking. The climate will also impact character gear, as different arenas such as Hoth will influence some of the variants. What we’ve seen so far in screenshots and trailers are just their outfit variants; if anyone wants any clues about upcoming looks, Zynga’s panel giveaway was an amazing two-sided poster with key artwork on one side and a range of action characters – and some of their variants – from the other. We are happy to share the character lineup image below.

Character poster for Star Wars Hunters

And the cosplayers? The Hunters The team is extremely ready and excited to see your takes on their characters’ costumes. Senior concept artist Anna Kay is especially excited to see future Rieve cosplays, so get those sewing machines ready.

Bria LaVorgna is a writer who can’t remember a time when she didn’t like star wars. She is also very fond of Alderaan, Doctor Aphra, and Inferno Squad. You can follow her on Twitter @chaosbria.

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